The Doctor Club of Australia would like to thank the ABC for their six-decade commitment to bringing Doctor Who to the people of Australia.
It has been an enduring relationship which has enabled fans across the country and across generations to enjoy this iconic show.
The Club was shocked and saddened to hear that moving forward our beloved show will no longer be screened by the ABC, moving from Free to Air to a paid service.
Despite this we are optimistic for the future – with the resources of new broadcaster Disney Plus behind it, there is likely to be longevity and expansion for the program.
But even as it moves forward we will never forget the legacy of the show with the ABC, which has been so integral in the growth of Dr Who in this country and our enjoyment as fans.
Category: News
The end of Chris Chibnall’s run
The BBC chatted to Chris Chibnall in the lead up to his final episode as showrunner -here’s what he had to say.
Can you tell us what audiences can expect from this special?
You can expect a massive all action thrill ride from start to finish. There will be laughter, there will be huge jeopardy, and there will be tears at the departure of the Thirteenth Doctor. It’s the biggest threat the Doctor has ever faced – and that any Doctor has ever faced – to their life or lives.
Can you talk a bit about the process in putting this feature length episode together? What did you finally set out to achieve?
It’s a particularly unique brief and a particularly unique episode because it’s a regeneration episode, but it’s also a celebratory episode for the BBC centenary and Doctor Who’s place within the BBC. So I really wanted to ensure that it had sufficient scale, but also that it was connected into the past, present, and future of Doctor Who.
We’re bringing back characters like Tegan and Ace, also there are lots and lots of easter eggs. Some are visual, some are verbal, some are so deeply buried that only few people will recognise them! But there are so many references to the past of Doctor Who in there that it’s got its own crazy movie length identity for the BBC centenary ,whilst also saying goodbye to a very beloved Doctor.
We’ve got some exciting returnees such as Sacha Dhawan, Sophie Aldred and Janet Fielding. How was it having those conversations?
One of the great joys are always the phone calls to people who’ve been in the show, or who might want to be in the show, and telling them what you think the story is how it’s going to play out and asking them back. So the calls to Janet and Sophie were wonderful and were incredibly emotional.
They were amazing and thrilled and throughout the whole process have just been extraordinary.
It’s important to take a moment to praise their sheer bravery and guts to come back to something you have not done in twenty or thirty years is incredible. To step onto a set where you don’t know anybody but to be going back to a world you thought you left behind is really extraordinary. And they are so amazing in the episode. It’s a delight to see them amidst modern Doctor Who. So that was fantastic.
We talked about where we collectively thought their characters would be now. I really wanted them to feel comfortable with what had happened in the gap between when we’d last seen those characters on screen and where we meet them here. It’s lightly sketched in, but it’s really important for them as performers and for those characters.
Did you always want to bring back companions from the past?
It was more to do with being asked to do a centenary special, that I thought there had to be something from the past that felt strong, unique and different to what else we’d done during Jodie’s time as the Doctor. So it was just a brilliant opportunity, and as soon as we knew we were doing that, that was one of the things I wanted to do.
Those characters and those actors came to mind as I think they’re representative of certain times in the show’s history and they are both incredibly strong and vibrant characters. There are so many to choose from and in a way you want to do all of them but actually, I had to just pick two! And what both of them said separately was ‘Oh I think, Tegan would get on well with Ace’ and then ‘Oh I think
Ace would get on really well with Tegan’.
With Sacha, it was a long term plan that we had spoken about when he was last on the show. At the end of season 12 I had the conversation with him, knowing that we would be doing Jodie’s final episode at the end of the following season. The big conversation was about coming back for her finale, because it had always felt like his Master and Jodie’s Doctor instantly had that chemistry, and that it would be a really fitting last battle. It took a lot of planning and obviously then that was
disrupted by the pandemic so we held on to it through everything, through all the storms. Obviously he’s incredibly in demand and he was also filming The Great but we made it work in the end. He made it happen and were just thrilled because that was the plan all along. He has rewarded everyone with the most incredible performance in this episode.
We have a focus on villains in this episode, was it hard to keep that balance of good evil? Will it be dark episode?
I would say it’s a fast, lively and exciting episode. What you have with the three villains is separate plans and multiple threats for the Doctor. So the Doctor is really having to contain separate attacks on multiple fronts and it’s incredibly overwhelming. She’s running from pillar to post to try and sort
all of these things out. And again, it was something I had in my mind for a long time, that it’d be lovely to do the axis of evil, the triumvirate of evil in Jodie’s final episode. We hadn’t done those, and I really wanted to hold that back for her finale.
The scale of this episode is huge, apart from the obvious COVID challenges, what were the other challenges faced during this process?
Every sequence is massive. So even the pre-credits – which is the longest pre-credits we’ve ever done – is like a mini movie in itself. And this episode has more visual effects shots than any episode in Doctor Who history. It was a huge demand on the visual effects team. There is a lot of action, there are a lot of locations, there are a lot of monsters, there’s a lot of things exploding! Really from the
get go it had to feel constantly on the move, constantly exciting and I think it does. It was a lot of work and a lot of brilliant directing by Jamie Magnus Stone, who really is such an incredible talent and has such an ability to corral both of the emotions and the action and the scares and the humour.
I think he’s done an extraordinary job.
How was it writing the Doctor’s final scenes, and did you see them being filmed?
Writing it, I always knew where we were going so I knew what I was writing towards. I knew what the final words were going to be, and where everything was going to happen and finish. So I wrote those quite early on and sort of just put them to one side.
I was on set for the final day shoot, there were a lot of people on set and there was an outpouring of love. It was a very special and very fun-filled day, there was a lot of music being played, Jodie put on playlists. There was a real sort of party atmosphere on the final day, and then we ended with these incredibly emotional final scenes. It was just a great way to finish, I have to say the last few days we
had a shooting were just delightful and particularly after coming through quite a challenging year of filming, it felt like everything landed in the right place. The production team had done a great job in scheduling the final scenes of that Doctor as the final scenes we were going to film which isn’t always the case and it felt very appropriate, very right, very lovely. It didn’t feel like a sad day, it felt
like a very happy day, a sense of job well done and there was so much love for Jodie and Mandip.
What do you think Jodie’s impact has been during her time as the Doctor?
She changed the game. She changed history in terms of Doctor Who. I think what she’s brought is a Doctor who is full of hope, and positivity and generosity and I think that these times really needed that. I think she’s shown off her incredible sort of clowning side, the humour that she can do, which maybe some people didn’t know her for beforehand. I think she’s enriched the character of the Doctor, as all actors who play the Doctor do, but it’s an incredibly bold and brave performance.
And she took responsibility for the Doctor being a woman, she took it on her shoulders and represented and that was not a given, that was her strength and decision and power. I think she has been utterly magnificent, she exceeded all of our expectations. She’s given a whole generation of young girls and women a chance to feel that they are the Doctor also and that was always the
purpose from the start of this era, was to really widen that net.
If you could pick your top two or three favourite episodes, what would they be?
I’d have to have a really long think about it but it’s definitely more than two or three! The ones that I really loved looking back were things like Spyfall, Rosa, Demons of the Punjab, Kerblam!, Fugitive of the Judoon, Ascension Of The Cybermen, War of the Sontarans, Village of the Angels, Eve of the
Daleks. But actually, there’s loads of them that I really love and that I’m really proud of. I think it’s impossible to choose because on different days, you’ll feel different things! There’s quite a range in there, from out and out comedy to really serious drama and action in between. I feel like we really tried to make the most of the range of the stories. The whole experience is very hard to break down
into components once you’re at the end!
What are you most proud of during your time on the show and what will you miss the most about Doctor Who?
It’s really hard to talk about what you’re proud of. I like the range of stories and the variety of stories. There’s a lot (to be proud of) – the first woman Doctor, a lot more women writing and directing the show, and a more diverse range of directors and writers on the show. That was the mission statement at the start for me, that’s what I wanted to do when we came in. And as I look at it now, in terms of the run we’ve had we absolutely delivered on that. That was really, really
important. I’m really proud of that, but then there’s just certain stories that you think ‘We really landed that one!’
I think the thing I will miss the most is the madness of making the show. Because you can be shown the design for a monster one minute, then you’re in 1950s America, the next moment you’re getting the rushes in – you get to do things on Doctor Who you don’t do anywhere else. And the visual effects teams are amazing.
Did you take any mementos from set?
Yes I have a roundel of the TARDIS, quite a few of us do! I have a few little gifts that I was given, a front plate of the TARDIS – the plaque on the front. I didn’t take a lot, because I have a lot from the past couple of years! Weirdly the thing you take most are the memories and you kind of can’t explain those. That sounds really sentimental but it’s really true, it’s not the objects, it’s the experiences and the people.
This is also the end of Yaz’s journey, what can we expect?
It’s a big episode for Yaz and it’s the last chapter in her story, and there is a lot of things that she has to deal with do in this story. I really wanted it to feel big for Yaz as an episode, and I really think it does.
Mandip, there are not enough words in any language to describe how extraordinary Mandip is, and how brilliant she has been for the show. She is such an amazing actor. She is one of the greatest human beings, she is so smart, so funny, so kind and everyone in the television industry should be queuing up to have her as the lead in their next series because she is such a huge talent and such an amazing person. I cannot speak highly enough of her.
We really lucked out when we cast her because you never know, and to have her along for the whole of the Jodie’s era – she is as defining of it as Jodie is. The journey that her character has gone on, it’s so broad. My admiration for Mandip is unlimited.
Are you excited about the next era and being a viewer again?
I’m really looking forward to not knowing anything, I’m already enjoying it. And in fact, I had to say to Russell on a couple of occasions, ‘Please don’t tell me!’ I’m lucky enough to have seen the full ending of The Power of the Doctor and even the tiny bit of the end just made me thrilled about and excited and desperate to see more about what comes next. It’s a delightful prospect!
Can you tease what’s coming next for you?
That’s the great thing now is I don’t have to tease anything. *laughs* I’m doing lots of different projects, I’m doing stage projects, quite a lot of TV activity and we’ll see where it goes. But I’m having a lot of fun doing very different things!
Old foe for a new year
One of the Doctor’s most feared nemeses will be back on screens this UK New Year’s Day as Doctor Who returns for a special episode entitled Eve of the Daleks.
Following the explosive series finale of Doctor Who: Flux, The Thirteenth Doctor (Jodie Whittaker) and friends Yaz (Mandip Gill) and Dan (John Bishop), will kick-start 2022 with an action-packed spectacular episode set to air on BBC One on New Year’s Day. Eve of the Daleks will also feature guest stars Aisling Bea (This Way Up, Living With Yourself, Quiz), Adjani Salmon (Dreaming Whilst Black, Enterprice) and Pauline McLynn (Father Ted, Shameless).
Sarah (Aisling Bea) owns and runs ELF storage, and Nick (Adjani Salmon) is a customer who visits his unit every year on New Year’s Eve. This year, however, their night turns out to be a little different than planned as they find themselves joining forces with the Doctor, Dan and Yaz in a fight against the Daleks. The trailer for the special, which aired following the series thirteen finale, finds the cast trapped in ELF storage and stuck in a terrifying time loop with the Daleks. Will the gang manage to avoid extermination and escape the storage facility in time to see out New Year’s Day?
Chris Chibnall, Showrunner, said: “We all need a little romance in our lives around New Year. Less so, Daleks. But Aisling Bea and Adjani Salmon’s characters will have to deal with both in a New Year’s Eve from hell. Together with Jodie Whittaker’s Doctor, it’ll hopefully prove the perfect New Year’s Day tonic.”
Doctor Who is a BBC Studios production for BBC One and a BBC America co-production. BBC Studios are the international distributors for Doctor Who.
Lockdown film makes a virtual debut in Sydney
Roger Christopher Stevens’ LOCKDOWN: THE DOCTOR WHO FANS’ SURVIVAL GUIDE, is set to screen as part of this year’s Sydney Science Fiction Festival virtual event from November 4.
The UK production from Reeltime Pictures as part of their CultTV series was created during the 2020 Covid19 out break.
A call went out to fans of Doctor Who to film personal videos of how they were coping with domestic lockdown for months on end. Shot on mobile phones, laptops, tablets and video cameras, the finished work is an inspiring tale of the indomitable human spirit, wrapped in unique stories that are funny, sad and unforgettable.
For producer Keith Barnfather, the selection acknowledges the effort made by his on-camera talent.
“It really does give recognition from a major festival to all the hard work put in by fans to make the production happen,” he said.
“I’m absolutely delighted that Lockdown: The Doctor Who Fans’ Survival Guide has been selected for the Sydney Science Fiction Film Festival.”
Australian director Sarah Stephenson’s ATTACK OF THE CAT PEOPLE is a shoestring-budgeted mini-feature that pays homage to the Universal Studios’ black-&-white horror classics of the genre’s heyday. The long-in-gestation project will go straight from it’s November 5 premiere at the Redlands Sporting Club in the Queensland suburb of Wellington Point onto the virtual festival platform, where it will be available Australia-wide.
“I’ve always had a strong connection to those old films, with storylines that draw you in and allow your imagination to do the rest,” says Stephenson, “I’m so excited that Attack of The Cat People will find a national audience via the Sydney Science Fiction Film Festival’s virtual event. The last time I was this happy was the first day of shooting!”
“It is in the programming of titles like Attack of the Cat People and Lockdown that the new virtual festival format reveals its valuable point-of-difference,” Festival Director Simon Foster said.
“To be able to get these types of micro-budgeted, heart-&-soul films out to a national audience and support the creative fan culture that helps events like our festival survive is a true thrill. That potentially 100s of Aussie eyeballs will see them via our festival is an honour.
Tickets for the full line-up of the 2021 SSFFF VIRTUAL FESTIVAL EXPERIENCE will screen November 4-25, co-presented by the US streaming service Xerb, will go on sale soon.
The 2021 SYDNEY SCIENCE FICTION FILM FESTIVAL will screen November 11-14 at the Actors Centre Australia, Leichhardt.
Whittaker and Chibnall leave the Tardis
Chris Chibnall and Jodie Whittaker to leave Doctor Who in a trio of Specials, culminating in an epic blockbuster Special to air in autumn 2022 as part of the BBC’s Centenary celebrations.
Having been in charge of the TARDIS since filming for the Thirteenth Doctor began in 2017, Showrunner Chris Chibnall and the Thirteenth Doctor, Jodie Whittaker, have confirmed they will be moving on from the most famous police box on Earth – and the universe.
With a six-part Event Serial announced for the autumn, and two Specials already planned for 2022, BBC One has now asked for an additional final feature length adventure for the Thirteenth Doctor, to form a trio of Specials for 2022, before the Doctor regenerates once more.
After taking the helm of the show, Chris Chibnall made the groundbreaking decision to cast Jodie Whittaker as the first female Doctor. He also brought in ‘the fam’ of Tosin Cole (Ryan), Mandip Gill (Yaz) and Bradley Walsh (Graham), and cast the acclaimed Sacha Dhawan as the latest incarnation of The Master, plus Jo Martin as the mysterious Fugitive Doctor, adding new characters, layers and twists to the mythology of the show.
Episodes such as ‘Rosa’, ‘Demons of the Punjab’ and ‘Spyfall’ have thrilled audiences across the globe garnering critical acclaim and award recognition, including two BAFTA Must See Moment nominations, along with multiple National Television Award, BAFTA Cymru, TV Choice, Screen Nation, Hugo, Saturn. and Critics Choice nominations. Under Chris’ tenure, the series has been awarded the Visionary Awards TV Show of the Year, the Canadian Rockie Award from the BANFF Television Festival for best sci-fi and genre series, while Mandip Gill and Vinay Patel were recognised with wins from the Eastern Eye Awards. The 2020 series won Best Science Fiction Show voted for by readers at Radio Times.com, beating out competition from The Mandalorian, Lucifer and The Boys, as well as winning both Best Moment and Most Incredible Twist from the Digital Spy Reader Awards 2020, for ‘Fugitive Of The Judoon’ and ‘Ascension Of The Cybermen’. In 2019, the entire current cast and crew were awarded Honorary Doctorates by Sheffield Hallam University for their work on the show.
As the Thirteenth Doctor, Jodie Whittaker stepped aboard the TARDIS to begin filming in 2017. As the first woman to play the iconic role, Jodie has thrilled audiences with her portrayal of the Time Lord, winning the hearts of Doctor Who fans across the globe. Jodie’s multi-layered, warm, funny and inspiring depiction of the Doctor not only created a first in Doctor Who history, but in 2020, Jodie was voted 2nd Most Popular Doctor of all time, coming within a whisker of her friend David Tennant, in a poll of more than 50,000 fans for Radio Times.
Chris Chibnall says “Jodie and I made a “three series and out” pact with each other at the start of this once-in-a-lifetime blast. So now our shift is done, and we’re handing back the TARDIS keys.
“Jodie’s magnificent, iconic Doctor has exceeded all our high expectations. She’s been the gold standard leading actor, shouldering the responsibility of being the first female Doctor with style, strength, warmth, generosity and humour. She captured the public imagination and continues to inspire adoration around the world, as well as from everyone on the production. I can’t imagine working with a more inspiring Doctor – so I’m not going to!
“For me, leading this exceptional team has been unrivalled creative fun, and one of the great joys of my career. I’m so proud of the people we’ve worked with and the stories we’ve told. To finish our time on the show with an additional Special, after the pandemic changed and challenged our production plans, is a lovely bonus. It’s great that the climax of the Thirteenth Doctor’s story will be at the heart(s) of the BBC’s centenary celebrations.
“I wish our successors – whoever the BBC and BBC Studios choose – as much fun as we’ve had. They’re in for a treat!”
Jodie Whittaker adds “In 2017 I opened my glorious gift box of size 13 shoes. I could not have guessed the brilliant adventures, worlds and wonders I was to see in them. My heart is so full of love for this show, for the team who make it, for the fans who watch it and for what it has brought to my life. And I cannot thank Chris enough for entrusting me with his incredible stories. We knew that we wanted to ride this wave side by side, and pass on the baton together. So here we are, weeks away from wrapping on the best job I have ever had. I don’t think I’ll ever be able to express what this role has given me. I will carry the Doctor and the lessons I’ve learnt forever.
“I know change can be scary and none of us know what’s out there. That’s why we keep looking. Travel Hopefully. The Universe will surprise you. Constantly.”
Piers Wenger, Director of BBC Drama “Over the last four years Chris and Jodie have made Doctor Who history and their time on the show is indelibly marked on our memories. From Rosa Parks to Ascension of the Cybermen, Chris and Jodie have given Doctor Who some of its most life-affirming and tear-jerking moments to date and we are beyond excited to see what they have in store for us in the new series this Autumn. Jodie’s final adventure to mark the BBC’s Centenary in 2022 is set to be a Doctor Who Special to remember. I’d like to thank them both for their incredible work on the show.”
Grey Worm for Tardis Team
Game of Thrones star Jacob Anderson is set to make his debut on Doctor Who later this year, playing Vinder as the BBC unveil the new trailer at Comicon in the US
.
As a recurring character throughout the series, Jacob’s new role will see him join forces with the Doctor (Jodie Whittaker), Yaz (Mandip Gill) and Dan Lewis (John Bishop) as the Doctor faces her biggest ever adventure battling evil across time and space.
Known to millions as Grey Worm in Game of Thrones, Jacob is a star of stage and screen and has appeared in many television series including Episodes, Broadchurch and Skins as well as roles in King Lear at the Young Vic and War Horse at the National Theatre.
Jacob is also a successful music artist who goes under the name Raleigh Ritchie.
“The Doctor has been a part of my life forever, from watching and rewatching the serials on VHS as a kid and being terrified, to unexpectedly finding my eyes watering when the Tenth Doctor said “I don’t want to go”, I always wanted to live in the Whoniverse,” he said.
“Not only has a lifelong dream of mine now been fulfilled, but to be playing a character as fun, adventurous and dynamic as Vinder is the cherry on top. This is very cool.”
Jacob’s role was announced at the Doctor Who San Diego Comic Con panel where Chris Chibnall, Jodie Whittaker, Mandip Gill and John Bishop teased what is in store for the Doctor as well as showing an exclusive trailer.
Doctor Who will return later this year.
Second edition of roleplaying game announced
Irish-based roleplaying game developers Cubicle 7 have announced the upcoming release of the Doctor Who: The Roleplaying Game Second Edition.
The multi award winning team behind Warhammer Age of Sigmar: Soulbound Roleplaying Game, Warhammer 40,000 Wrath and Glory Roleplaying Game and the Warhammer Fantasy Roleplay Fourth Edition, announced the new edition on Monday.
Established in 2007 they have grown organically and now have relationships with some of the most-loved brands in fantasy and a team of more than 15.
In making the announcement, the team also shared the cover image designed by renowned digital artist Will Brooks, whose Doctor Who work has been used by Big Finish and Titan Comics.
A spokesman for Cubicle 7 said the award-winning Doctor Who: The Roleplaying Game had regenerated into a new Second Edition that was now “faster, easier, and even more exciting”.
“This book presents all the rules and background you need to voyage across space and time with the Doctor, or as new characters experiencing brand new epic adventures.”
The Core rulebook includes: Complete character creation rules to allowing players to bring to life a new time travelling adventurer to explore space and time aboard the TARDIS. Players have the chance to be companions to the Doctor or even a new Time Lord, Time Agents or investigators or defenders of Earth.
The rules also include a complete revised set of rules for the game and advice for
Gamemasters old and new as well as an expansive look at the history of the Universe, detailing many of the aliens and creatures the Doctor has encountered over the years.
Find out exactly what is included in the core rulebook here: https://bit.ly/2TZJvdw.
Who knew we were trendy
It seems being a Doctor Who fan makes you a hot commodity.
Not only are “nerds” trendy and Geek is the new cool these days but it seems our members are in demand particularly if you are a putting together a television series.
In the space of just a few days the Doctor Who Club of Australia received two requests from production companies looking for people to take part in their programs.
And they were polar opposites with the first request coming from Endemol Shine – who were casting Beauty and The Beast and just a few days later the BBC approached us for interest in Mastermind.
“The timing was quite bizarre from Mastermind to Beauty and the Geek,” Casting Supervisor, Mike Searle from Endemol said.
“We produce quite a lot of shows at Endemol and the more and more shows we produce, the more and more and people that we cast the more we realise that it is actually up to us going to people who haven’t applied for these shows, which often give you the best cast,” he explained.
“We always have a list of name every single show – the same people apply – and often the people who don’t think they want to be on the show or don’t actively go out looking are the most natural and that’s what people want to see on the screen.
“When the first reaction by someone is “I don’t know about that – I’ve never thought about it – it’s a good thing because if they have thought about it probably for the wrong reason.”
So why did these two groups specifically reach out to the Doctor who club?
Mastermind Casting AP Alisha Davies said it was all about size and finding people who were passionate about their favourite subject to appear in series three of the SBS program.
“We decided to contact the Doctor Who society as it has a large fanbase and we would love to have members of your society apply for the show,” she said.
“We found the Doctor Who society through Google search.
“We are looking for fun and vibrant contenders who passionate about their subject and have a good level of general knowledge. So whether your subject is Picasso or Potter, Basketball or Brazil – we’d love to hear from you!
“Mastermind is returning for its third series, and it’s great- everyone has so much fun when they come to the studio to film.
“We are filming between January-March 2021, the air dates are unconfirmed right now, but will air sometime in 2021.
“We would love to hear from everyone from across Australia. We are hoping the borders will open soon and we can have contenders from all states and territories.”
Entry time for the Channel 9 series Beauty and the Geek is closing very soon and Mike is hoping that our members would either be interested or would know someone who would be.
“There is not one type of person we’re looking for – so the cast isn’t going to be made up of all of the same kids of people,” he said. “So we’re kind of focusing our research on reaching to various different groups, various different organisations that I guess still come under that in quotations “geek sub-culture” and we Doctor Who aligned perfectly with that. We’d love to find someone who knows everything there is about Doctor Who that can come on and teach these beauties a thing or two about that.
“I guess the good thing about Beauty and the Geek is that it’s a fun show, family friendly and the content isn’t based upon the drama. There are shows out there on TV at the moment which kind of need people not to get on – they need that to feed the content where this show is a fun show – we don’t need any drama. It’s about both the Beauties and the Geeks coming away with something they didn’t have before. So we’re hoping the Beauties use their confidents and their charisma and charm to pass that on to some of the geeks and equally we’re wanting the Geeks to bring some of their knowledge and facts – because they look at the world in such different ways, we’re trying to make sure both groups come away with something from the experiments.”
The Geeks don’t have male – they were asking everyone to apply. He said the boundaries are thin between both sides and some people who apply might fall into both.
“We áre encouraging everyone to apply and then through the casting process that’s when we would decide what side will fall on,” he said.
“Eighteen will be the youngest and there’s not a hard cut off, it’s not a love show, but we’re hoping they will form connections so because of that we don’t want the age range to be too wide so I guess the sweet spot is above 18 to around the 30 mark but if they’re a little bit over 30 it’s still doable.
”We’re looking for the weird and wonderful – the quirky.”
For Beauty and the Geek – More details, and the opportunity to apply online if they’d prefer, at www.BATGcasting.com.au )
If you want to take part in Mastermind visit: https://go.mycastingnet.com/Apply/Show/Mastermind.
- You must be an Australian citizen or permanent resident (have the right to live and work in Australia).
- Are at least 18 years of age at the time of applying.
Celebrating 40 Years of Data Extract
DWCA Publishing is back in action, following some unfortunate COVID-19 delays, with Data Extract #246 shipping next week. This latest release kicks off the celebrations for the publication’s 40th anniversary. It was November 1980 when a two-page newsletter was sent to Australian fans, leading with the shocking headline “Tom Baker Quits!”. Not even called Data Extract yet, headlined instead simply as the Australasian Doctor Who Newsletter, none could have known it would still be going strong four decades later. In fact, creator Dallas Jones started the premier editorial with the words: “This will be my first and probably last editorial”. Far from prophetic, the journey from 1980 to 2020 has seen the publication grow into a fully-fledged magazine and become the flagship publication for the DWCA.
This latest issue starts the countdown to #249, which will coincide with the release of the first issue 40 years earlier. Over the next four issues there will be various features and articles to celebrate, including a four-part series kicking off in #246 that counts down the publication history decade by decade. Artist Jason Towers will also be providing a full-colour serialised comic telling the true story of what happened to Colin Baker when the club forced him to climb the Harbour Bridge during his Whovention visit. Issue #246 has interviews with Whovians host Rove McManus and Doctor Who comic artist Stewart McKenny, followed by future issues featuring Doctor Who Brand Manager Edward Russell, a behind the scenes look at the Lockdown Season, news, reviews and the latest releases. Plus, the next four issues are running a new four-part serialised fiction piece titled War of the Valeyard. Ever wondered where the Valeyard came from or what he did during the Time War? Well, wonder no more as shocking answers are revealed about everyone’s favourite dark-side amalgamation. Plus, we road-test the strangest fan conspiracy theories with the Boffin in Theoretically Speaking, report on the latest local fan news with Regional Transmissions and dredge the lake of public opinion for new points of discussion and digression in the Junkyard.
Issue #246 starts the celebrations with designer Alan Russell’s cover reinterpreting the classic cover art of Chris Hale from DE’s milestone 200th issue. Plus a look at the history of Doctor Who in electronic gaming from Gemma Styles, a dive into the psychology of the Master by Seth Lukas Hynes and Tim Darby’s Countdown!
Data Extract is published exclusively for DWCA club members, so the only way to ensure you get a copy is to become a card-carrying member and join/subscribe today!
That’s far from the end of the celebratory releases from DWCA Publishing this year though, with numerous new releases currently in the works, some highlights of which are included below…
The Adventures of Eleanor Chaplette
The Eleanor saga continues from the pages of Data Extract (as collected in Zerinza Volume 4) in a series of new novels, the first of which is Trash Island by Dom Kelly. Twenty years after the attempted darkness invasion of Atlantis, Eleanor is still saving people from across time and space. While rescuing the doomed Chinese sailors of the Whitebelly however, she comes across something unexpected, an island of refuse displaced in time and space and laced with human skeletons. The search for answers will lead her across the stars and over acidic oceans to the corporate island of Polystrata and a world with no future!
Who’s Your Own Adventure
This is no ordinary book! Within these pages you must make the decisions that guide the story. You might choose to turn left and end up saving the world or instead turn right and create an alternate reality where everything falls apart – the choices will be yours! The Choose Your Own Adventure format of multiple-choice narrative is blended with the history of Doctor Who in this new series of books, that allow you to step into the real life history of your favourite show and experience it as never before. The first book delves into the little-known history of the Australian protest to stop the national broadcaster from dropping Doctor Who from its schedule. The protest ensured the show continued in Australia and was the event that formed the Doctor Who Club of Australia. Or did it? Every choice you make as reader will have a consequence and the very future of Doctor Who itself may be changed forever if you stray too far down the wrong path!
Zerinza Volume 5
With its usual eclectic mix of articles, interviews and fiction, the next volume of Zerinza will continue to deliver exciting long-form written pieces on Doctor Who.
Digital Comics
The DWCA will also be releasing another digital comic, following in the tradition of past comic specials Liberation from the Daleks, Wrath of the Cyber-Spider and Pyramids of Mars. The next comic special will feature Doctor Who stories alongside true tales of fandom, all brought to life in comic book format with stunning art from Australia’s best Whovian artists.
DWCA Publications are produced for club members, so the best way to ensure you get a copy is to join the club today!
Big Finish Return!
And They’re Back!
Shut down at the height of the pandemic in the UK, Big Finish have returned to shipping collector’s edition CDs and box sets to clear the backlog of orders. Big Finish warehouse staff returned to work on June 8 – with the company taking steps to protect workers including providing safety equipment and a regular schedule of deep cleaning. Big Finish company chairman Jason Haigh-Ellery thanked customers for their patience.
“Our listeners have been extremely patient over the past three months, while our warehouse staff have been furloughed, and as we operated a digital-first release schedule,” he said. “I would like to thank all our customers for their understanding during this time; we really couldn’t have done it without you. We are now delighted to be in a position to begin shipping the orders for physical products we have taken since 24 March. The team has put procedures in place to ensure the continued safety of our staff. However, we naturally have a lot of pending orders to work through, and our warehouse is not yet back to full capacity, so we ask that customers continue to bear with us as we start to clear the backlog. To make it fair for everyone, outstanding orders for collector’s edition CDs and box sets will be fulfilled on a ‘per month’ basis; so, orders placed in April will be batched up and mailed out first, followed by those placed in May and June. Please note we are still awaiting the delivery of some stock from our pressing plant and we cannot guarantee the status of local mail or postal services. We expect there to be continued delays, particularly for overseas customers.”
The DWCA Shop will be stocking all the latest releases as they become available. Make sure you check out the shop section of this website regularly to keep up with the latest Big Finish releases as they arrive from the UK.